At the international day for the Elimination of Violence against Women, I made a live drawing performance called “One's Pain Does Not Migrate To The Other” in collaboration with Performistanbul.

At the international day for the Elimination of Violence against Women, I made a live drawing performance called “One's Pain Does Not Migrate To The Other” in collaboration with Performistanbul.

 I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç" which deals with femicide while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç" which deals with femicide while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

 In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem. Within the scope of this project, 160. Kilometer publications published my drawings in

In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem. Within the scope of this project, 160. Kilometer publications published my drawings in a book under the editorship of Elvin Eroğlu. Documentation of the performance displayed in border_less Art Book Days 2021.

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I realized this drawing performance by broadcasting live synchronized broadcasts on Zoom and Instagram as part of Performistanbul, the Stay Live at Home series.

The video of the live drawing performance called “One's Pain Does Not Migrate To The Other”, and I did it at the International Day for the Elimination of Violence Against Women. I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç", which deals with femicide, while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem.

I realized this drawing performance by broadcasting live synchronized broadcasts on Zoom and Instagram as part of Performistanbul, the Stay Live at Home series.

The video of the live drawing performance called “One's Pain Does Not Migrate To The Other”, and I did it at the International Day for the Elimination of Violence Against Women. I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç", which deals with femicide, while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem.

performans.jpg
 At the international day for the Elimination of Violence against Women, I made a live drawing performance called “One's Pain Does Not Migrate To The Other” in collaboration with Performistanbul.
 I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç" which deals with femicide while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.
 In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem. Within the scope of this project, 160. Kilometer publications published my drawings in
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 I realized this drawing performance by broadcasting live synchronized broadcasts on Zoom and Instagram as part of Performistanbul, the Stay Live at Home series.  The video of the live drawing performance called “One's Pain Does Not Migrate To The Ot
 I realized this drawing performance by broadcasting live synchronized broadcasts on Zoom and Instagram as part of Performistanbul, the Stay Live at Home series.  The video of the live drawing performance called “One's Pain Does Not Migrate To The Ot
performans.jpg

At the international day for the Elimination of Violence against Women, I made a live drawing performance called “One's Pain Does Not Migrate To The Other” in collaboration with Performistanbul.

I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç" which deals with femicide while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem. Within the scope of this project, 160. Kilometer publications published my drawings in a book under the editorship of Elvin Eroğlu. Documentation of the performance displayed in border_less Art Book Days 2021.

I realized this drawing performance by broadcasting live synchronized broadcasts on Zoom and Instagram as part of Performistanbul, the Stay Live at Home series.

The video of the live drawing performance called “One's Pain Does Not Migrate To The Other”, and I did it at the International Day for the Elimination of Violence Against Women. I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç", which deals with femicide, while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem.

I realized this drawing performance by broadcasting live synchronized broadcasts on Zoom and Instagram as part of Performistanbul, the Stay Live at Home series.

The video of the live drawing performance called “One's Pain Does Not Migrate To The Other”, and I did it at the International Day for the Elimination of Violence Against Women. I listened to over and over again Birhan Keskin and Aslı Serin's poem "Anıt Sayaç", which deals with femicide, while I was drawing using the mono-print technique. "Anıt Sayaç" had been reconfigured and divided into 32 lines by Elvin Eroğlu.

In my performance, I placed myself into a circle of lines, searching for a way to create a visual connection with the dialogue between the two poets in the poem.

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